{"id":32,"date":"2008-03-17T10:19:23","date_gmt":"2008-03-17T09:19:23","guid":{"rendered":"http:\/\/sekundaerschleife.de\/diana\/?page_id=32"},"modified":"2019-01-09T23:55:58","modified_gmt":"2019-01-09T21:55:58","slug":"about-2","status":"publish","type":"page","link":"http:\/\/trafo-m.de\/dianaartus\/?page_id=32","title":{"rendered":"Biography"},"content":{"rendered":"<h3>Background<\/h3>\n<p>2010 Master class degree Visual Art (Meistersch\u00fclerabschluss), HGB &#8211; Academy of Visual Arts, Leipzig<br \/>\n2007 Diploma degree Photography, HGB &#8211; Academy of Visual Arts, Leipzig<br \/>\n2000 Magister degree (M.A.) German Language &amp; Literature Studies and History, University of Leipzig<\/p>\n<p>2003-2006 Several collaborative projects and workshops as <a href=\"http:\/\/www.sekundaerschleife.de\/impex\/\" target=\"_blank\" rel=\"noopener\">IMPEXunlimited<\/a><br \/>\n1996-1999 Writer and co-editor of POST.RUIN, a literature magazine and reading series in Leipzig<\/p>\n<p>Study and work stays in Seoul, New York, Mexico City, Barcelona, Bilbao, Paris, Amsterdam et al.<\/p>\n<h3>Grants | Prizes<\/h3>\n<p>2017 Neuk\u00f6lln Art Award, First Prize<br \/>\n2016 Artist working grant, awarded by the&nbsp;Senate of Berlin<br \/>\n2015 Global travel grant for Korea, awarded by the Senate of Berlin<br \/>\n2013 Shortlist 11th Art Prize Haus am Kleistpark, Berlin<br \/>\n2013 Shortlist 1st Berlin Art Prize<br \/>\n2012 Artist working grant, awarded by the Cultural Foundation of Saxony<br \/>\n2008 New York studio grant,<strong><span class=\"Apple-style-span\" style=\"font-weight: normal;\"> awarded by the Cultural Foundation of Saxony<br \/>\n2009-2010 Master class scholarship, awarded by the Heinrich B\u00f6ll Foundation<\/span><\/strong><br \/>\n2006 Project grant, awarded by the Media Foundation Leipzig<br \/>\n2002-2007 Study scholarship, awarded by the Heinrich B\u00f6ll Foundation<\/p>\n<h3>Residencies<\/h3>\n<p>2015 3 months artist residency at <a href=\"http:\/\/geumcheon.blogspot.de\/search\/label\/About%20SASG\" target=\"_blank\" rel=\"noopener\">Seoul Art Space Geumcheon<\/a><br \/>\n2008 6 months artist residency at <a href=\"http:\/\/www.iscp-nyc.org\/\" target=\"_blank\" rel=\"noopener\">I<\/a><a href=\"http:\/\/www.iscp-nyc.org\/\" target=\"_blank\" rel=\"noopener\">SCP<\/a><a href=\"http:\/\/www.iscp-nyc.org\/\" target=\"_blank\" rel=\"noopener\"> New York<br \/>\n<\/a>2004 3 months artist residency at <a href=\"http:\/\/www.hangar.org\" target=\"_blank\" rel=\"noopener\">Hangar Barcelona<\/a><\/p>\n<h3>Solo and duo exhibitions<\/h3>\n<p>2017 <em>Unique No. 5<\/em>, Coelner Zimmer, D\u00fcsseldorf (Duo with Stefanie Pluta)<br \/>\n2016 <em>Terminal Stage<\/em>, Hectoliter, Brussels<br \/>\n2015 <em>There is tiresome, but attractive<\/em>, Uqbar, Berlin<br \/>\n2015 <em>The Broken Telephone<\/em>, Galerie Raum mit Licht, Vienna (Duo with Karin Fisslthaler)<br \/>\n2014<em> #Visual Noise<\/em>, Lage Egal, Berlin (Duo with Ornella Fieres)<br \/>\n2013 <em>Fugacity<\/em>, Kunstraum Michael Barthel, Leipzig (Duo with Jan Mammey)<br \/>\n2012 <em>Avenida del progreso<\/em>, Galerie Metro, Berlin<br \/>\n2011 <em>I strongly believe in weakness<\/em>, Galerie Metro, Berlin<br \/>\n2010 <em>Degrees of separation<\/em>, Galerie Metro, Berlin<br \/>\n2007 <em>The hallucinated city<\/em>, Red Stripe Gallery, Leipzig (Graduation show)<br \/>\n2006 <em>Suspicious setting<\/em>, Architektur Galerie Berlin (Solo as IMPEXunlimited)<\/p>\n<h3>Group exhibitions (selection)<\/h3>\n<p>2017<br \/>\n<em>Fleisch und Stein<\/em>, whiteBOX, Munich<br \/>\n<em>Silent Empire<\/em>, Funkhaus Nalepastra\u00dfe, Berlin<br \/>\n<em>Hours and hours of inactivity<\/em>, n.b.k., Berlin<br \/>\n<em>Neuk\u00f6llner Produktion<\/em>, Galerie im Saalbau, Berlin + <span id=\"cid:6BC7D872-6889-41E6-ADE4-6BB27ECDBD10@fritz.box\">Galerie im Ku\u0308nstlerhaus, Leonberg<\/span><\/p>\n<p>2016<br \/>\n<em>No natural disaster<\/em>, HORSEANDPONY Fine Arts, Berlin<br \/>\n<em>SCOPE \u2013 more to come<\/em>, several exhibition venues, Hannover<br \/>\n<em>Photobookshow Kyiv<\/em>, Ya Gallery, Kiev<br \/>\n<em>Sometimes you see your city differently<\/em>, Feinberg Projects, Tel Aviv<br \/>\n<em>\u00dcber die Unm\u00f6glichkeit des Seins<\/em>, Kunsthalle Exnergasse, Vienna<\/p>\n<p>2015<br \/>\n<em>Unframed<\/em>, Galerie Raum mit Licht, Vienna<br \/>\n<em>Paper Manifestoes, <\/em>Bejing Design Week, The Factory Dashilar, Bejing<em><br \/>\nAccadr\u00e0 Domani<\/em> (An ongoing archive of artists\u2019 books selected by Gregorio Magnani), Museo Marino Marini, Florence<br \/>\n<em>Under Surveillance<\/em>, Galerie f\u00fcr Fotografie Ricus Aschemann, Hannover<br \/>\n<em>When thoughts are replaced by moving images<\/em>, deuxpiece\/Ausstellungsraum Klingental, Basel<br \/>\n<em>Art Brussels<\/em> (with Galerie Raum mit Licht, Vienna)<br \/>\n<em>Saloon Group Show<\/em>, Galerie Sexauer, Berlin<br \/>\n<em>About dimensional images and pictographical objects<\/em>, Bethanien, Berlin<\/p>\n<p>2014<br \/>\n<em>Chronicle. Narrative, History and Subjectivity,<\/em> Fabra i Coats Center of Contemporary Art, Barcelona<br \/>\n<em>F Photobookshow<\/em>, 72nd Gallery, Tokyo Institute of Photography, Tokyo<br \/>\n<em>Unframed<\/em>, Galerie Raum mit Licht, Vienna<br \/>\n<em>Art International Istanbul<\/em> (with Galerie Raum mit Licht, Vienna)<\/p>\n<p>2013<br \/>\n<em>sub|kutan<\/em>, Haus am Kleistpark, Berlin<br \/>\n<em>On-Looking<\/em>, Kunsthalle Galapagos, New York<br \/>\n<em>The world is stable now<\/em>, Alexander Levy Galerie, Berlin<\/p>\n<p>2012<br \/>\n<em>Parcours<\/em>, Scheidt&#8217;sche Hallen, Essen<br \/>\n<em>Die letzte Metro<\/em>, Galerie Metro, Berlin<br \/>\n<em>Astray<\/em>, B\/B Multiples, Berlin\/Beirut\/Copenhagen<br \/>\n<em>D Photobookshow<\/em>, The Finnish Museum of Photography, Helsinki<br \/>\n<em>Volta Basel<\/em> (with Galerie Metro, Berlin)<\/p>\n<p>2011<br \/>\n<em>Urban noise<\/em>, Bethanien, Berlin<br \/>\n<em>Art Cologne &#8211; New Contemporaries<\/em> (with Galerie Metro, Berlin)<br \/>\n<em>A Photobookshow<\/em>, Workflow Studio, Brighton<\/p>\n<p>2010<br \/>\n<em>Texture<\/em>, Galerie Metro, Berlin<br \/>\n<em>The Black Door Files<\/em>, Black Door, Istanbul<br \/>\n<em>Meistersch\u00fclerausstellung<\/em>, Gallery of the Academy of Visual Arts, Leipzig<\/p>\n<p>2009<br \/>\n<em>Waking the living<\/em>, Stephen Neidich Studio, Berlin<br \/>\n<em> The white under the red<\/em>, Galerie Metro, Berlin<br \/>\n<em> Things we do<\/em>, Universal Cube\/Baumwollspinnerei, Leipzig<br \/>\n<em>Exhibition<\/em>, a six month art initiative located in a vacant storefront at 211 Elizabeth Street, New York<\/p>\n<p>2008<br \/>\n<em>Unwille<\/em>, K\u00fcnstlerhaus Dortmund<br \/>\n<em>Bad Moon Rising<\/em>, ISCP, New York<br \/>\n<em>An artist certainly cannot compete with a man on the moon in the livingroom<\/em>, Universal Cube\/Baumwollspinnerei, Leipzig<br \/>\n<em>Loop Diverse<\/em>, Loop 08 &#8211; International Festival &amp; Fair for Video Art, Barcelona<\/p>\n<p>2007<br \/>\n<em>Syntropia<\/em>, NGBK, Berlin<br \/>\n<em>Blaue Blume<\/em>, Les Subsistances, Lyon<\/p>\n<p>2006<br \/>\n<em>Grammaire de la ville<\/em>, Goetheinstitut Lyon<\/p>\n<p>2005<br \/>\n<em>Processos Oberts,<\/em> Hangar Barcelona and public space in Terrassa\/Spain<br \/>\n<em>Osservatorio Urbano: DETOURISMO<\/em>, Lungomare Gallery and public space in Bolzano\/Italy (IMPEXunlimited)<\/p>\n<h3>Lectures | Other projects<\/h3>\n<p>2018 <em>Reinkommen, Drinbleiben \u2013 und dann? \u00dcber Zugang und Erfolg im Kunstbetrieb<\/em>, <strong>Lecture<\/strong> about access and success in(to) the art world, S\u00fcdtiroler K\u00fcnstlerbund, Bozen<br \/>\n2014 <em>The parallax project: Allegory and significance<\/em>, <strong>Lecture<\/strong> about my work, Acud, Berlin<br \/>\n2014 <em>Telling the same story twice,<\/em> <strong>Workshop<\/strong> about the genre of the photo novel, Fabra i Coats Center of Contemporary Art, Barcelona<br \/>\n2013 <strong>Site-specific installation<\/strong> for the movie set of<em> Elixier<\/em> by Brodie Higgs, Berlin<br \/>\n2013 P<strong>roduction and publication<\/strong> of<em> In Visible Cities,&nbsp;<\/em>a photo book in collaboration with Plan Bey Beirut and B\/B Multiples Berlin<br \/>\n2012 <strong>Lectures<\/strong> about my work, Node Center for Curatorial Studies, Berlin<br \/>\n2011 <em>Paisajes Alterados<\/em>,<strong> Screening<\/strong> of my photographs in the context of <em>El Proyector<\/em>, Fundaci\u00f3 Foto Colectania, Barcelona<br \/>\n2008 <em>Three Moons of Jupiter: A Conversation from the Post-Communist Universe, <\/em><strong>Talk<\/strong> with<em> c<\/em>urator <span class=\"StandardText\"><span class=\"standardText\">Simon Rees<\/span> and artist Jan Serych, apexart, New York<br \/>\n2008 <strong>Lecture<\/strong> about my work<em>,<\/em> ISCP, New York<br \/>\n<\/span>2007\/08 <strong>Editor<\/strong> at Transmediale.08, Festival for digital and media art<br \/>\n<span class=\"StandardText\">2005 <em>Meiningen<\/em>, <strong>Photo-Portfolio<\/strong> for the programme of Theatre of Meiningen, Meiningen\/Germany<br \/>\n<\/span>2005 <em>Detourismo II,<\/em> <strong>Workshop<\/strong> about how to create a <em>Guide Vagu<\/em>e to get lost in Bolzano, Galerie Lungomare, Bolzano\/Italy (IMPEXunlimited)<br \/>\n2003 <em>Detourismo I<\/em>, <strong>One-week-office<\/strong> for detourists longing to get lost in Leipzig <strong>and supply<\/strong> with different <em>Guide Vagues<\/em>, in the context of the theatre festival <em>Entsicherung &#8211; eine theatrale Einmischung in den \u00f6ffentlichen Raum<\/em>, public space, Leipzig (IMPEXunlimited)<\/p>\n<h3>Collections<\/h3>\n<p>The Brooklyn Museum Library, New York<br \/>\nKupferstich-Kabinett Dresden<br \/>\nPrivate collections<\/p>\n<h3>Publications<\/h3>\n<p><a href=\"http:\/\/trafo-m.de\/dianaartus\/?page_id=2947\" target=\"_blank\" rel=\"noopener\"><em>A Korean Notebook<\/em><\/a>, self-published, 2015<br \/>\n<em><a href=\"http:\/\/trafo-m.de\/dianaartus\/?page_id=1993\" target=\"_blank\" rel=\"noopener\">In Visible Cities<\/a><\/em>, produced and published in collaboration with Plan Bey (Beirut), 2013<br \/>\n<em><a href=\"http:\/\/trafo-m.de\/dianaartus\/?page_id=1549\">Those aren&#8217;t your memories, they&#8217;re somebody else&#8217;s<\/a><\/em>, self-made Leporello book, 2011<br \/>\n<em><a href=\"http:\/\/trafo-m.de\/dianaartus\/?page_id=1526\">Everday Encounter<\/a><\/em>, self-made Leporello book, 2010<br \/>\n<em><a href=\"http:\/\/trafo-m.de\/dianaartus\/?page_id=74\" target=\"_self\">Halbstark<\/a> <\/em>and<em> <a href=\"http:\/\/trafo-m.de\/dianaartus\/?page_id=75\" target=\"_self\">Sex<\/a><\/em>, self-published, 2002<\/p>\n<h3>Bibliography<\/h3>\n<p><i>In Visible Cities <\/i>(book review), Camera Austria 126\/2014<i><br \/>\nSpectral Photography: Diana Artus and Ornella Fieres <\/i>(Blog Entry, 2014), Berlin Art Link<i><br \/>\n<\/i><a href=\"http:\/\/blondeartbooks.com\/2013\/08\/18\/in-visible-cities-a-photo-book-by-diana-artus\" target=\"_blank\" rel=\"noopener\">Interview about &#8220;In Visible Cities&#8221; (<\/a>Blog Entry, 2013), Blonde Art Books<br \/>\n<a href=\"http:\/\/juleshart.wordpress.com\/2013\/03\/03\/photographic-sculptures-diana-artus\/\" target=\"_blank\" rel=\"noopener\">Photographic Sculptures<\/a> (Blog Entry, 2013), Jules &amp; Art &#8211; Young &amp; Contemporary<br \/>\n<em>Artist Portfolio<\/em>, Stadtaspekte No. 1 (2013)<br \/>\n<em>Inventur in Utopia<\/em> (Blog Entry, 2013), Castor &amp; Pollux<br \/>\n<em>Avenida del progreso<\/em> (Blog Entry, 2012), Berlin Art Link<br \/>\n<em>Artist Portfolio<\/em>, Camera Austria 115\/2011<br \/>\n<em>An artist certainly cannot compete with a man on the moon in the livingroom<\/em> (catalog), HGB Leipzig and Universal Cube, 2008<br \/>\n<em>Sogno citt\u00e0 noi &#8211; esercizi di percezione urbana <\/em>(catalog), Galerie Lungomare, 2008<br \/>\n<em>Syntropia<\/em> (catalog), NGBK, 2007<br \/>\n<em>Le &amp; Ly <\/em>(catalog), HGB Leipzig and ENBA Lyon, 2007<br \/>\n<a href=\"http:\/\/trafo-m.de\/dianaartus\/wp-content\/uploads\/2008\/04\/jungle_world_dossier.pdf\" target=\"_blank\" rel=\"noopener\"><em>Ein vager Verdacht<\/em><\/a>, Jungle World Dossier 38\/2006<br \/>\n<em>P_O_2 Queda la marca<\/em> (catalog), Barcelona, 2005<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Background 2010 Master class degree Visual Art (Meistersch\u00fclerabschluss), HGB &#8211; Academy of Visual Arts, Leipzig 2007 Diploma degree Photography, HGB &#8211; Academy of Visual Arts, Leipzig 2000 Magister degree (M.A.) German Language &amp; Literature Studies and History, University of Leipzig 2003-2006 Several collaborative projects and workshops as IMPEXunlimited 1996-1999 Writer and co-editor of POST.RUIN, a [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/pages\/32"}],"collection":[{"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=32"}],"version-history":[{"count":230,"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/pages\/32\/revisions"}],"predecessor-version":[{"id":3405,"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/pages\/32\/revisions\/3405"}],"wp:attachment":[{"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=32"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}