{"id":632,"date":"2010-05-14T14:28:28","date_gmt":"2010-05-14T12:28:28","guid":{"rendered":"http:\/\/trafo-m.de\/dianaartus\/?page_id=632"},"modified":"2011-11-21T23:10:53","modified_gmt":"2011-11-21T21:10:53","slug":"es-gibt-kein-morgen-fur-mich","status":"publish","type":"page","link":"http:\/\/trafo-m.de\/dianaartus\/?page_id=632","title":{"rendered":"There is no tomorrow for me"},"content":{"rendered":"<ul id=\"myGallery_40\" class=\"galleryview\"><li><img src=\"http:\/\/trafo-m.de\/dianaartus\/wp-content\/gallery\/es-gibt-kein-morgen\/t01.jpg\" alt=\"\" class=\"full\" \/><\/li><li><img src=\"http:\/\/trafo-m.de\/dianaartus\/wp-content\/gallery\/es-gibt-kein-morgen\/t02_0.jpg\" alt=\"\" class=\"full\" \/><\/li><li><img src=\"http:\/\/trafo-m.de\/dianaartus\/wp-content\/gallery\/es-gibt-kein-morgen\/t03.jpg\" alt=\"\" class=\"full\" \/><\/li><li><img src=\"http:\/\/trafo-m.de\/dianaartus\/wp-content\/gallery\/es-gibt-kein-morgen\/t04.jpg\" alt=\"\" class=\"full\" \/><\/li><li><img src=\"http:\/\/trafo-m.de\/dianaartus\/wp-content\/gallery\/es-gibt-kein-morgen\/t05_0.jpg\" alt=\"\" class=\"full\" \/><\/li><li><img src=\"http:\/\/trafo-m.de\/dianaartus\/wp-content\/gallery\/es-gibt-kein-morgen\/t06.jpg\" alt=\"\" class=\"full\" \/><\/li> <\/ul><script type=\"text\/javascript\">\n            jQuery(document).ready(function($) {\n            $('#myGallery_40').galleryView({  show_panels: 1, show_captions: 0, show_filmstrip: 1, panel_width: 600, panel_height: 400, panel_scale: \"nocrop\", transition_speed: 800, transition_interval: 4000, fade_panels: 1, frame_width: 60, frame_height: 40, filmstrip_position: \"bottom\", pointer_size: 8, frame_scale: \"crop\", frame_gap: 5, frame_opacity: 0.3, easing: \"swing\", nav_theme: \"dark\", start_frame: 1, pause_on_hover: 0   });});<\/script>\n<p>The work araised from a collaboration with artist Tilo Schulz for the  exhibition <em>The second view <\/em>at GFZK Leipzig in 2004. Schulz invited me  to undertake a re-contextualisation: to transform a contemporary  cultural theory or work into a fictive scenario of the &#8217;70s. The result  was presented on so-called Crowdballs which are normally used for  advertising campaigns. Therefore I decided to settle my contribution in  the world of magazines and ads: in a &#8217;70s photo novel suddenly some  advertisement is appearing in its contemporary aggressive form and takes  over the story of a failure of a dream for its own purpose.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The work araised from a collaboration with artist Tilo Schulz for the exhibition The second view at GFZK Leipzig in 2004. Schulz invited me to undertake a re-contextualisation: to transform a contemporary cultural theory or work into a fictive scenario of the &#8217;70s. The result was presented on so-called Crowdballs which are normally used for [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/pages\/632"}],"collection":[{"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=632"}],"version-history":[{"count":9,"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/pages\/632\/revisions"}],"predecessor-version":[{"id":1281,"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=\/wp\/v2\/pages\/632\/revisions\/1281"}],"wp:attachment":[{"href":"http:\/\/trafo-m.de\/dianaartus\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=632"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}