This images are the results of a continuous reproduction and de/construction of my photographs. Inspiration came from windows in public transport through which I’ve looked on different cities; windows almost blind from scratchings and dirt.  In the series I took up this aesthetics, pushing it into exaggeration by means of analog manipulation. The separation in two sides, in a ‚here’ and ‚there’, an inner and an outer world becomes obvious, the simultaneity of the desire for getting closer and the anxious need for keeping distance creates ambivalent sceneries of urban melancholy foiled by aggressive visual interferences.